Camus opens by asserting that Kafka's works are to be re-read, that they are open to many possible interpretations, and that they are highly symbolic in nature. Don't wait for the Last Judgement. In our daily trials rebellion plays the same role as does the "cogito" in the realm of thought: Albert Camus' desire for clarity and meaning in the world that offers nothing, but chaos, resulted in his work on the idea of absurdism.
The spirit of rebellion can only exist in a society where a theoretical equality conceals great factual inequalities. I have never believed we could remain at this point. The two novelettes give an honest lineation of existential philosophy. What form of community fosters the best possible life for human beings?
The horror found in tragedy and the absurd come from seeing frightful consequences fall out as a part of a natural, logical order. Only the cry of anguish can bring us to life; exaltation takes the place of truth.
But if we accept that life has no meaning and therefore no value, is suicide the only option? We must then learn to live in this absurd existence in which we know that life as a whole is meaningless and yet we strive daily for our own small joys and happiness.
Albert Camus had intense Motorphobia fear of automobilesand thus avoided riding in cars as much as possible. His austere search for moral order found its aesthetic correlative in the classicism of his art. This was during the first stage of World War II and at this time Camus considered himself a pacifist.
Gregor shows that he knows his life has significance when at the beginning of the novelette he is more concerned about how he will carry through his societal intent than what he will make about being a bug.
Give me a carrot. In these essays Camus does not offer a systematic account of the absurd or even a conceptual definition of it; rather he reflects on the experience of the absurd. What is the nature and destiny of the soul? His interactions with his neighbour Raymond are an illustration of his indifferences.
Having been condemned, his life returns to normal, but he struggles to find out what he has been charged with and to appeal the court's decision. As he progressed from Sisyphus to the Rebel, he matured as a writer and later on himself felt annoyed at his proposed idea of absurd.
To this extent the apocalypse becomes an absolute value in which everything is confounded-love and death, conscience and culpability. Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. Throughout his childhood Camus lived in the impoverished Belcourt section of Algiers.
He reported on thr fighting when Allies liberated Paris in Thus, convinced of the wholly human origin of all that is human, a blind man eager to see who knows that the night has no end, he is still on the go.
His is an irremediable exile. In The Metamorphosis the supporter. On the eve of his execution, a priest visits his cell and tries to persuade him to confess.
Both have produced plants conveying to illume the inexorable world of existential philosophy. The malady experienced by a single man becomes a mass plague. If he wants to feel alive, it must be in the terrible exaltation of a brief and destructive action.
It's a joke actually. We value our lives so greatly, but at the same time we know we will eventually die; thus, all our endeavors are ultimately meaningless.
He moved to Bordeaux, where he finished his early works, 'The Stranger' and 'The Myth of Sisyphus', which opens with his famous statement about the philosophical question of suicide, and deals with the absurdity of existence in the meaningless struggle.
It is said that earlier in his life Camus had made the remark that the most absurd way to die would be in a car accident. Cited in Albert Camus: In The Castle, Kafka goes beyond the absurd world he describes in The Trial and tries to find an explanation or some form of hope.
Is that all there is? His greatest work 'The Fall' presents the monologues of a self-proclaimed 'judge penitent' Clamence, whose character alludes to Zaratustra from Friedrich Nietzsche and Grand Inquisitor from the 'Karamasov Brothers' of Fyodor Dostoevsky. But typically, Beckett's characters carry on, even if in a life without purpose, trying to make sense of the senseless and to communicate the uncommunicable.
Social outlooks had put him in his topographic point. But this evidence lures the individual from his solitude.Albert Camus was a French-Algerian writer best known for his absurdist works, including The Stranger () and The Plague ().
He won the Nobel Prize for Literature in Early Life Albert Camus was born on November 7,in Mondavi, French Algeria. Get an answer for 'Compar.
& contrast of personal motives VS. societal influences of main char. in The Metamorphosis (Franz Kafka) & The Stranger (Albert Camus)?I have to do an essay on this. I. In Franz Kafka's The Metamorphosis, Kafka explores the absurdity of life through Gregor's transformation as he struggles with himself and the outside world around him.
In this story Kafka writes about a dream that he had years earlier. Absurdist fiction began in the late 19th and early 20th century out of modernist literature with authors spanning this period such as Joseph Heller, Franz Kafka, Samuel Beckett and Albert Camus, plus many more of the best novelists.
Albert Camus (November 7, – January 4, ) was an Algerian-French writer and philosopher. He is best known for the existential themes in his writings, particularly the absurdity of existence in a brutal and apparently meaningless world.
Albert Camus' The Stranger is one of the most widely read novels in the world, with millions of copies sold. It stands as perhaps the greatest existentialist tale ever conceived, and is certainly one of the most important and influential books ever produced.Download